UK Partners Shop
Left handed guitar
Taylor 2012 Ps56ce-L Presentation Series Cocobolo/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric Guitar Natural
The Presentation Series guitars occupy a class all their own. Taylor's finest sets of cocobolo are paired with premium Sitka Spruce tops to make the 2012 PS56ce-L Presentation Series Cocobolo/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric guitar. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle, the PS56ce features a Venetian cutaway.Grand Symphony (GS)Body Width: 15" / Body Depth: 4-3/8" / Body Length: 19-1/2"The ultimate Taylor strummer.The Grand Symphony shape joined the line in 2006 and delivers Taylors boldest, richest acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if youre a dynamic player, this shape is a true contender. And the big voice doesnt come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.CocoboloOrigin: Central MexicoUsed On: Presentation Series, Limited EditionsCocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. It works perfectly on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.Goes Well With: A wide range of playing styles (depending on the body shape). Also, with players who want a brighter rosewood sound with a little less low end and a little more treble zing.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why we spent several years developing the onboard acoustic pickup and preamp. Taylors ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a
Taylor 2012 Ps14ce-L Presentation Series Cocobolo/Spruce Grand Auditorium Left-Handed Acoustic-Electric Guitar Natural
The Presentation Series guitars occupy a class all their own. Taylor's finest sets of cocobolo are paired with premium Sitka Spruce tops to make the 2012 PS14ce-L Presentation Series Cocobolo/Spruce Grand Auditorium Left-Handed Acoustic-Electric Guitar. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle, the PS14ce features a Venetian cutaway.Grand Auditorium (GA)Body Width: 16" / Body Depth: 4-5/8" / Body Length: 20"Taylors signature shape embodies the ultimate all purpose acoustic.Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpickers guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GAs overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be a bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA wont let you down.CocoboloOrigin: Central MexicoUsed On: Presentation Series, Limited EditionsCocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. It works perfectly on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.Goes Well With: A wide range of playing styles (depending on the body shape). Also, with players who want a brighter rosewood sound with a little less low end and a little more treble zing.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why we spent several years developing the onboard acoustic pickup and preamp. Taylors ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.The ES is an all-magnetic acoustic guitar pickup system that works like a mic
Taylor 2012 Ps12ce-L Presentation Series Cocobolo/Spruce Grand Concert Left-Handed Acoustic-Electric Guitar Natural
The Presentation Series guitars occupy a class all their own. Taylor's finest sets of cocobolo are paired with premium Sitka Spruce tops to make the 2012 PS12ce-L Presentation Series Cocobolo/spruce Grand Concert Left-Handed Acoustic-Electric Guitar. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle, the PS12ce features a Venetian cutaway.A smaller bodied guitar ideally suited for fingerstyle.The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GCs compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitars slightly wider neck gave players more room for complex fingerings. The GCs smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. The current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.CocoboloOrigin: Central MexicoUsed On: Presentation Series, Limited EditionsCocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. It works perfectly on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.Goes Well With: A wide range of playing styles (depending on the body shape). Also, with players who want a brighter rosewood sound with a little less low end and a little more treble zing.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why we spent several years developing the onboard acoustic pickup and preamp. Taylors ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, no
Taylor 2012 Ps16ce-L Presentation Series Cocobolo/Spruce Grand Symphony Left-Handed Acoustic-Electric Guitar Natural
The Presentation Series guitars occupy a class all their own. Taylor's finest sets of cocobolo are paired with premium Sitka Spruce tops to make the 2012 PS16ce-L Presentation Series Cocobolo/Spruce Grand Symphony Left-Handed Acoustic-Electric Guitar. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle, the PS16ce features a Venetian cutaway.Grand Symphony (GS)Body Width: 15" / Body Depth: 4-3/8" / Body Length: 19-1/2"The ultimate Taylor strummer.The Grand Symphony shape joined the line in 2006 and delivers Taylors boldest, richest acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if youre a dynamic player, this shape is a true contender. And the big voice doesnt come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.CocoboloOrigin: Central MexicoUsed On: Presentation Series, Limited EditionsCocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. It works perfectly on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.Goes Well With: A wide range of playing styles (depending on the body shape). Also, with players who want a brighter rosewood sound with a little less low end and a little more treble zing.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why we spent several years developing the onboard acoustic pickup and preamp. Taylors ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amp
Taylor 2012 Ps10ce-L Presentation Series Cocobolo/Spruce Dreadnought Left-Handed Acoustic-Electric Guitar Natural
The Presentation Series guitars occupy a class all their own. Taylor's finest sets of cocobolo are paired with premium Sitka Spruce tops to make the 2012 PS10ce-L Presentation Series Cocobolo/Spruce Dreadnought Left-Handed Acoustic-Electric Guitar. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Offered with Gotoh Gold tuners and a bone nut and saddle, this PS10ce features a Venetian cutaway.Dreadnought (DN)Body Width: 16" / Body Depth: 4-5/8" / Body Length: 20"The potent tone flatpickers and strummers love.The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love this Dreadnoughts blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.CocoboloOrigin: Central MexicoUsed On: Presentation Series, Limited EditionsCocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. It works perfectly on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.Goes Well With: A wide range of playing styles (depending on the body shape). Also, with players who want a brighter rosewood sound with a little less low end and a little more treble zing.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why we spent several years developing the onboard acoustic pickup and preamp. Taylors ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls volume, bass and treble.
Gibson Custom 1959 Les Paul Standard Guitar Left-Handed Faded Tobacco
The AA flamed maple top is exactly the kind of wood that went on the Les Pauls in '59. BurstBucker 1 and 2 pickups are precision re-creations of original "Patent Applied For" pickups, right down to the mismatched windings. Original bumblebee capacitors, long-tenon 1959 rounded neck profile, CTS pots, original aluminum stopbar, and tons of other details make it look, sound, and play identically to the original. Mahogany back and neck with rosewood fretboard.Check the drop-down menu to the right to select colors and/or other options.Carved maple topSolid mahogany backOne-piece mahogany neck with original-style truss rod routing and 1959 rounded neck profile22-fret rosewood fretboard with historically accurate trapezoid inlaysBurstBucker 1 (rhythm) and 2 (treble) pickupsCTS pots and bumble bee capacitors2 volume knobs, 2 tone knobs, and 3-way switchSingle-ply cream binding on top and fretboardNickel hardwareAluminum stopbarOriginal-style toggle switch washer and jackplateVintage tulip-style tuners
Taylor 2012 956Ce-L Rosewood/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric Guitar Natural
The Taylor 2012 956ce-L Rosewood/Spruce Grand Symphony 12-String Left-Handed Acoustic-Electric Guitar represents the upper echelon of the rosewood models and features Taylors popular Cindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among Taylor's three classes of rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication.Grand Symphony (GS)Body Width: 15" / Body Depth: 4-3/8" / Body Length: 19-1/2"The ultimate Taylor strummer.The Grand Symphony shape joined the line in 2006 and delivers Taylors boldest, richest acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if youre a dynamic player, this shape is a true contender. And the big voice doesnt come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.Indian RosewoodOrigin: East IndiaOne of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewoods vintage heritage has helped firmly establish its acoustic legacy. Its a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music certain strains of Americana, for example rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. Its very consistent, so players can usually rely on it to deliver.Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with dark hands. If youre looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.Expression SystemNatural Sound Made SimplePeople love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? Thats why w
Taylor 2012 912Ce-L Rosewood/Spruce Grand Concert Left-Handed Acoustic-Electric Guitar Natural
Taylor's ultra-premium class of rosewood/spruce guitars showcases a beautiful appointment package, featuring the classic Cindy inlay scheme, rosewood binding with red purfling, shimmering abalone trim around the top and fretboard extension, and Gotoh tuners. From wood selection to design elegance, the 900 Series embodies masterful Taylor craftsmanship. The 2012 912ce-L Rosewood/Spruce Grand Concert Left-Handed Acoustic-Electric Guitar is among their most elite acoustic/electric guitars. The 912ce approaches the pinnacle of guitar design. Skill and crafstmanship are on display at every turn on this incomparable model.Indian Rosewood/SitkaIndian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Grand Concert (GC)This shape defines intimacy in its size and sound. The GC is dynamically responsive to a lighter touch and is well-suited for fingerpicking. With clarity and balance, its also perfect for micing and home recording.Expression SystemUsing proprietary pickup technology developed at Taylor, the Expression System amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. Its your tone. Amplified.GlossThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.Shape: Left-Handed Grand ConcertBack/Side Wood: Indian RosewoodTop Wood: Sitka SpruceNeck/Heel: Tropical MahoganyElectronics: ESBracing: CV Bracing with Relief RoutBinding: Rosewood with Red PurflingFretboard Wood: EbonyFretboard Inlay: CindyHeadstock Overlay: EbonyBridge Inlay: CindyBridge Pins: Ebony with Abalone DotsNut & Saddle: BoneTuners: GotohTruss Rod Cover: EbonyBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: VenetianPickguard: NoneTaylor deluxe hardshell
Taylor 2012 912Ce-N-L Rosewood/Spruce Nylon String Grand Concert Left-Handed Acoustic-Electric Guitar Natural
The Taylor 2012 912ce-N-L Rosewood/Spruce Nylon String Grand Concert Left-Handed Acoustic-Electric Guitar represents the upper echelon of the rosewood models and features Taylors popular Cindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among Taylor's three classes of rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication.A smaller bodied guitar ideally suited for fingerstyle.The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GCs compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitars slightly wider neck gave players more room for complex fingerings. The GCs smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. The current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.Indian RosewoodOrigin: East IndiaOne of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewoods vintage heritage has helped firmly establish its acoustic legacy. Its a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music certain strains of Americana, for example rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. Its very consistent, so players can usually rely on it to deliver.Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with dark hands. If youre looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.ES-NLike the the ES-T, The ES-N is a single-source, under-saddle trans
Taylor 2012 916Ce-L Rosewood/Spruce Grand Symphony Left-Handed Acoustic-Electric Guitar Natural
Taylor's ultra-premium class of rosewood/spruce guitars showcases a beautiful appointment package, featuring the classic Cindy inlay scheme, rosewood binding with red purfling, shimmering abalone trim around the top and fretboard extension, and Gotoh tuners. From wood selection to design elegance, the 900 Series embodies masterful Taylor craftsmanship. The 2012 916ce-L Rosewood/Spruce Grand Symphony Left-Handed Acoustic-Electric Guitar is a premium-grade Sitka/Indian rosewood GS cutaway that's robust without sacrificing any tonal definition.Indian Rosewood/SitkaIndian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Grand Symphony (GS)Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.Expression SystemUsing proprietary pickup technology developed at Taylor, the Expression System amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. Its your tone. Amplified.GlossThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.Type/Shape: Left-Handed 6-String GSBack & Sides: Indian RosewoodTop: Sitka SpruceSoundhole Rosette: AbaloneNeck: Tropical MahoganyFretboard: EbonyFretboard Inlay: Cindy InlayBinding: Indian RosewoodBridge: EbonyNut & Saddle: BoneTuning Machines: Gotoh 510Strings: Elixir Medium Gauge Strings with NANOWEB CoatingScale Length: 25-1/2"Truss Rod: AdjustableNeck Width at Nut: 1-3/4"Number of Frets: 20Fretboard Radius: 15"Bracing: CV Bracing w/Relief routFinish: GlossCutaway: VenetianElectronics: Taylor Expression SystemCase: Taylor Deluxe Hardshell
Taylor 2012 910Ce-L Rosewood/Spruce Dreadnought Left-Handed Acoustic-Electric Guitar Natural
Taylor's ultra-premium class of rosewood/spruce guitars showcases a beautiful appointment package featuring the classic Cindy inlay scheme, rosewood binding with red purfling, shimmering abalone trim around the top and fretboard extension, and Gotoh tuners. From wood selection to design elegance, the 900 Series embodies masterful Taylor craftsmanship. The 2012 910ce-L Rosewood/Spruce Dreadnought Left-Handed Acoustic-Electric Guitar features a Venetian cutaway that along with the Expression System's seamless aesthetic integration enhances this guitar's grace and good looks, offering the ultimate rosewood experience for the acoustic/electric performer.Indian Rosewood/SitkaIndian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Dreadnought (DN)The Taylor Dreadnought is a focused guitar with plenty of presence, recently redesigned to be even more assertive. Its the traditional choice for the traditional player; the model to drive with a heavy pick.Expression SystemUsing proprietary pickup technology developed at Taylor, the Expression System amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. Its your tone. Amplified.GlossThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.Shape: Left-Handed DreadnoughtBack/Side Wood: Indian RosewoodTop Wood: Sitka SpruceNeck/Heel: Tropical MahoganyElectronics: ESBracing: CV Bracing with Relief RoutBinding: Rosewood with Red PurflingFretboard Wood: EbonyFretboard Inlay: CindyHeadstock Overlay: EbonyBridge Inlay: CindyBridge Pins: Ebony with Abalone DotsNut & Saddle: BoneTuners: GotohTruss Rod Cover: EbonyBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: VenetianPickguard: None
Taylor 2012 914Ce-L Rosewood/Spruce Grand Auditorium Left-Handed Acoustic-Electric Guitar Natural
Taylor's ultra-premium class of rosewood/spruce guitars showcases a beautiful appointment package, featuring the classic Cindy inlay scheme, rosewood binding with red purfling, shimmering abalone trim around the top and fretboard extension, and Gotoh tuners. From wood selection to design elegance, the 900 Series embodies masterful Taylor craftsmanship. The sleek lines of the 2012 914ce-L Rosewood/Spruce Grand Auditorium Left-Handed Acoustic-Electric Guitar are accentuated by a softly-rounded Venetian cutaway, complementing its shimmering appointments. Taylor's finest Indian rosewood and Sitka spruce deliver a tone that can only be described as "an experience."Indian Rosewood/SitkaIndian rosewood seems as if it was created to be on a guitar. The clarity, balance, sustain, excellent bass response, and wonderful coloration and figure are without equal. Paired with Sitka spruce, it is an unstoppable combination.Grand Auditorium (GA)The GA is Taylors most versatile and popular shape, excelling at light-touch fingerstyle to full-blown strumming. Great for micing and recording, the GAs balanced mid-range and bright tone exemplify the Taylor voice.Expression SystemUsing proprietary pickup technology developed at Taylor, the Expression System amplifies your guitar with an unrivaled, natural live sound. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally-clean amplified sound. Its your tone. Amplified.GlossThe finish used to create this guitar's lustrous gloss top, back, and sides was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.Type/Shape: Left-Handed 6-String Grand AuditoriumBack & Sides: Indian RosewoodTop: Sitka SpruceSoundhole Rosette: AbaloneNeck: Tropical American MahoganyFretboard: EbonyFretboard Inlay: Cindy InlayHeadstock Overlay: EbonyBinding: Indian RosewoodBridge: EbonyNut & Saddle: BoneTuning Machines: Gotoh 510Strings: Elixir Light Gauge Strings with NANOWEB CoatingScale Length: 25-1/2"Truss Rod: AdjustableNeck Width at Nut: 1-3/4"Number of Frets: 20Fretboard Radius: 15"Bracing: CV Bracing w/Relief routFinish: GlossCutaway: VenetianElectronics: Taylor Expression SystemCase: Taylor Deluxe Hardshell
Taylor 2012 914Ce-N-L Rosewood/Spruce Nylon String Grand Auditorium Left-Handed Acoustic-Electric Guitar Natural
The 2012 914ce-N-L Rosewood/Spruce Nylon String Grand Auditorium Left-Handed Acoustic-Electric Guitar represents the upper echelon of the rosewood models with Taylors popular Cindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among the three classes of rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication.Grand Auditorium (GA)Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"Taylors signature shape embodies the ultimate all purpose acoustic.The most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpickers guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GAs overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be the bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA wont let you down.Indian RosewoodOne of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewoods vintage heritage has helped firmly establish its acoustic legacy. Its a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music certain strains of Americana, for example rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. Its very consistent, so players can usually rely on it to deliver.ES-NLike the the ES-T, The ES-N is a single-source, under-saddle transducer, but the preamp design and tone controls were customized to complement the nylon-string voice. Standard ES control knobs enable plenty of tone-shaping and preserve the natural design aesthetic.Shape: Left-Handed Grand AuditoriumBack/Side Wood: Indian RosewoodT
Taylor 2012 K66ce-L Koa Grand Symphony 12 String Left-Handed Acoustic-Electric Guitar Natural
The Taylor 2012 K66CE-L Koa Grand Symphony 12 String Left-Handed Acoustic-Electric Guitar is a member of the Koa Series of acoustic-electric guitars. This series offers a variety of body sizes, all with Koa back and sides, and a choice of Sitka Spruce or Hawaiian Koa for the top. Each guitar presents an exotic feast of figure, color and sound. Hawaiian Koas captivating beauty is matched by a tone that blossoms over time, especially in the midrange. Its voice is bright and focused, with warm overtones that slowly emerge, adding sweetness and depth. Premium all-wood appointments, led by the Tropical Vine fretboard inlay, celebrate the woods natural appeal. Each Koa Series Acoustic/ Electric is performance-ready, with a Venetian cutaway and Taylors Expression System electronics. The K66ce features a Hawaiian Koa Grand Symphony body and top.Koa is among the most striking of all tonewoods beautiful, distinctive tone, and yet, at times, so elusive. Producing the Koa Series is driven entirely by Taylor's ability to procure a consistent, quality-grade supply. Lately, theyve been able to acquire some of the nicest koa available in a long, long time.After a several-year hiatus, the Koa Series makes an impressive return, this time in both the Acoustic and Acoustic/Electric lines. Look for beautifully figured koa backs, sides, and optional tops. The dramatic maple binding on the Acoustic/Electrics complements the undulating koa in its own unique way.The Koa Series will remain available only while our supplies last.Natural Sound Made SimpleThe Expression System (ES) is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls volume, bass and treble.Shape: Left-Handed Grand SymphonyBack/Side Wood: Hawaiian KoaTop Wood: Hawaiian KoaNeck/Heel: Tropical MahoganyElectronics: ESBracing: 12-String Bracing with Relief RoutBinding: Indian RosewoodFretboard Wood: EbonyFretboard Inlay: Island VineHeadstock Overlay: EbonyBridge Inlay: NoneBridge Pins: EbonyNut & Saddle: BoneTuners: Taylor GoldTruss Rod Cover: EbonyBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: VenetianPickguard: NoneCase: Taylor Deluxe Hardshell Brown
Evh Wolfgang Left-Handed Quilt Top Electric Guitar
The EVH Wolfgang Left-Handed Quilt Top electric guitar represents 2 years of intense research and development, and a year of brutal testing on the road. With every aspect examined and upgraded to the highest standards, the EVH Wolfgang has been produced to Eddie's exact specifications and has features identical to the Wolfgang guitars he records and performs with. The EVH Wolfgang includes a distinctive double-cutaway body with an arched AA maple top on a lightweight basswood back, a quartersawn single-piece AA bird's-eye maple neck fitted with stainless steel frets, double-potted custom-wound guitar pickups, five-piece binding on the matching body and headstock, custom-made signature tuning machines, Floyd Rose double-locking trem with the patented EVH D-Tuna drop-D tuning system, and Bourns low-friction pots.Another distinctive Eddie-mod is the 3-way pickup toggle wired in reverse: the up position (normally the neck pickup) is the bridge pickup, down (normally the bridge) is the neck pickup.Check the drop-down menu to the right to select colors and/or other options.1-1/2" basswood back1-2" arched AA quilted maple topBolt-on quartersawn maple neckAA bird's-eye maple fingerboard25-1/2"-scale lengthCompound fingerboard radius 12"-16"22 vintage-size stainless steel fretsFloyd Rose R2 locking nut1-5/8" nut widthChrome hardwareEVH-branded Gotoh tuners, chrome with pearloid buttonsEVH-branded Floyd Rose locking tremoloEVH humbuckers (neck and bridge)3-way pickup toggle (reverse wired)Master Volume and Tone Controls2 Bourns low-friction pots 250k/500kSKB case with molded stripesUnique features:Hard mount pickupsMagna Coatings paint2 graphite neck reinforcement rodsSchaller chrome string retainerEVH D-TunaSquare jack plate
Gibson Custom 1958 Les Paul Plain Top Vos Left-Handed Electric Guitar Washed Chery
The 1958 Les Paul Plain Top VOS Left-Handed Electric Guitar begins with a solid mahogany back and carved plain maple top. The one-piece mahogany neck is topped with a gorgeous rosewood fretboard that's adorned with acrylic trapezoid inlays with shape and color true to the original. Early '50s rounded neck profile delivers the vintage feel players love. BurstBucker 1 and 2 pickups deliver famous vintage Les Paul tone.In an effort to jump start the steadily declining sales of the Les Paul model, Gibson abandoned the familiar gold finish and used a translucent, cherry sunburst finish which showed off the figured maple tops that were often used on Les Pauls. The renamed Les Paul Standard made its debut in 1958.Vintage Original Spec series instruments receive a special nitro-cellulose finish treatment yielding the patina of a gently-aged vintage guitar while handcrafting enhances comfort and playability. Each VOS model has a solid mahogany back; historically accurate long-neck tenon for strength and sustain; and period-correct neck profile, hardware, and electronics.Includes Gibson Custom Shop hardshell case and certificate of authenticity.Body and Hardware:Carved plain maple topSolid mahogany backSingle-ply cream binding on topThin toggle switch washer and jack plateNickel hardwareABR-1 bridge, lightweight aluminum stopbarNeck and Headstock:1-piece mahogany neck with long neck tenon22-fret rosewood fingerboardAcrylic trapezoid inlays (accurate shape and color)Single-ply cream bindingEarly '50s rounded neck profile24-3/4" scale length1-11/16" nut widthHolly headstock veneerVintage tulip tunersElectronics and Strings:BurstBucker 1 (R) and 2 (T) pickupsCTS pots and bumble bee capacitors2 volume, 2 tone, 3-way selector switchVintage Reissue .010 strings
Gibson Custom 1958 Les Paul Plain Top Vos Left-Handed Electric Guitar Iced Tea Burst
The 1958 Les Paul Plain Top VOS Left-Handed Electric Guitar begins with a solid mahogany back and carved plain maple top. The one-piece mahogany neck is topped with a gorgeous rosewood fretboard that's adorned with acrylic trapezoid inlays with shape and color true to the original. Early '50s rounded neck profile delivers the vintage feel players love. BurstBucker 1 and 2 pickups produce famous vintage Les Paul tone. In an effort to jump start the steadily declining sales of the Les Paul model, Gibson abandoned the familiar gold finish and used a translucent, sunburst finish which showed off the figured maple tops that were often used on Les Pauls. The renamed Les Paul Standard made its debut in 1958.Vintage Original Spec series instruments receive a special nitro-cellulose finish treatment yielding the patina of a gently-aged vintage guitar while handcrafting enhances comfort and playability. Each VOS model has a solid mahogany back; historically accurate long-neck tenon for strength and sustain; and period-correct neck profile, hardware, and electronics. Left-handed modelBody and Hardware:Carved plain maple topSolid mahogany backSingle-ply cream binding on topThin toggle switch washer and jack plateNickel hardwareABR-1 bridge, lightweight aluminum stopbarNeck and Headstock:1-piece mahogany neck with long neck tenon22-fret rosewood fingerboardAcrylic trapezoid inlays (accurate shape and color)Single-ply cream bindingEarly '50s rounded neck profile24-3/4" scale length1-11/16" nut widthHolly headstock veneerVintage tulip tunersElectronics and Strings:BurstBucker 1 (R) and 2 (T) pickupsCTS pots and bumble bee capacitors2 volume, 2 tone, 3-way selector switchVintage Reissue .010 strings
Taylor 2012 K26ce-L Koa Grand Symphony Left-Handed Acoustic-Electric Natural
The Taylor 2012 K26ce-L Koa Grand Symphony Left-Handed Acoustic-Electric is a member of the Koa Series of acoustic-electric guitars. This series offers a variety of body sizes, all with Koa back and sides, and a choice of Sitka spruce or Hawaiian Koa for the top. Each guitar presents an exotic feast of figure, color and sound. Koas visual allure is complemented with shimmering abalone trim around the top and soundhole, while figured maple binds the body, fingerboard, soundhole, and caps the heel. Each Koa Series Acoustic/ Electric is performance-ready, with a Venetian cutaway and Taylors Expression System electronics. The K26ce features a Hawaiian Koa Grand Symphony body and top.Koa is among the most striking of all tonewoods beautiful, distinctive tone, and yet, at times, so elusive. Producing the Koa Series is driven entirely by Taylor's ability to procure a consistent, quality-grade supply. Lately, theyve been able to acquire some of the nicest koa available in a long, long time.After a several-year hiatus, the Koa Series makes an impressive return, this time in both the Acoustic and Acoustic/Electric lines. Look for beautifully figured koa backs, sides, and optional tops. The dramatic maple binding on the Acoustic/Electrics complements the undulating koa in its own unique way.The Koa Series will remain available only while our supplies last.Natural Sound Made SimpleThe Expression System (ES) is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls volume, bass and treble.Shape: Left-Handed Grand SymphonyBack/Side Wood: Hawaiian KoaTop Wood: Hawaiian KoaNeck/Heel: Tropical MahoganyElectronics: ESBracing: CV Bracing with Relief RoutBinding: Indian RosewoodFretboard Wood: EbonyFretboard Inlay: Island VineHeadstock Overlay: EbonyBridge Inlay: NoneBridge Pins: EbonyNut & Saddle: BoneTuners: Taylor GoldTruss Rod Cover: EbonyBack/Side Finish: GlossTop Finish: GlossNeck Finish: SatinCutaway: VenetianPickguard: NoneCase: Taylor Deluxe Hardshell Brown
